In going with the music theme I finally uploaded some new (old) mixes to my mixcloud site grab them here. Expect everything from classic rap, to rare pysch and kraut rock, minimal wave, and everything from weirdo electronic shit, bass music, and b-more and jersey club.
Playlists for each show below
Tuesday Mornings at 8:30 AM. Kendrick Lamar – Swimming Pools Daedelus – The Finishing of a Thing Usher – Climax (Diplo remix) Gonjasufi – The Caliph’s Tea Party Aleuda – Galope (remix) Flosstradamus ft. Danny Brown – From the Back (Lunice remix) Xeno & Oaklander – Blue Flower (Live at the Weird Party, Home Sweet Home) Futuristik – Army Now Martial Canteral – Occupy These Terms Destiny’s Child – Say My Name (Cyril Hahn Remix) Oppenheimer Analysis – The Devil’s Dancers Murray – Pantum Lama Teengirl Fantasy – Vector Spray Win Win – Salt Days Amon Tobin – Dream Sequence Future ft. Juicy J – I’m Trippin 4lienetic – You Never Loved Me Notorius BIG – Suicidal Thoughts Aphex Twin – Nannou The Diplomats – Real Niggas ? Goldie – Inner City Life Cousin Cole – Amen Amen Ivo’s Group – That Shocking Day The Prodigy – Ruff in the Jungle Uplifting Vibes Remix)
That’s Respect Polygon Window – Quino-Phec Ice Cube – Doing Dumb Shit Metamatics – Blue Water ? Nancy and Paddy – Owl Ritual Escort – Cocaine Blues (Greg Wilson Remix) ? Jungle Brothers – Tribe Vibes Kendrick Lamar – Cartoon and Cereal WIN WIN – Landloper Das Racist – Girl Jack Beats – Epidemic Hannulerauri – Zombie Tropicana SS-Say – Care Can – Fly By Night Kaine – Love Saves the Day (Soul Clap Remix) UFO – Freeze (Labradford Remix) Martyn – Seventy Four Polygin Window – It Really Is Me
That Walter White. Aphex Twin- Polynominal-C Jim Jones – 60 Racks Boards of Canada – Basefree EDUBB- Topsdropbladeschoppnmuizk Cam’ron ft. T.I. – In The Jungle Young Jeezy ft. Future – Way Too Gone Flosstradamus – Total Recall Kingdom – Hood By Air Theme Polygon Window – Supremacy Window Odd Future – ? A$AP Rocky – Celebration Juicy J – Let’s Get High Darq E Freaker – Blueberry (Sinden & 5kinandbone5 remix) Koreless – MTI DJ Dodger Stadium -Ds Drum Routine Dj J Heat – Get Low Drop Low DJ Sliink – Emergency ? XXXY – I Know This (Can’t Be Love) Deejay Theory – Club Tearz ? James Nasty – Them Do It Horns Amrand Van Helden – You Don’t Know Me ? Switch & Erol Alkan – A Sydney Jook (Bok Bok remix) Crookers – Bowser Floyd Campbell – Taped Rob Threezy – Love to the World Silver Apples – Lady and the Clown Boom Bip – Closed Shoulder (clouddead remix) Broadcast – Unchanging Window/Chord Simple MMOSS – Another Dream Smif’ n’ Wessun – Hellucination
Half Measures Half Measures Intro Boom Bip – Closed Shoulder (Clouddead remix) The Velvet Underground – The Black Angel’s Death Song Boards of Canada – Amo Bishop Roden Slowdive – Souvlaki Space Station Spacemen 3 – The Sound of Confusion Gil Scott-Heron – I’m New Here HTRK – Sweetheart (A.K.A. I love you) Koreless – 4D SBTRKT – Something Goes Right Oppenhiemier Analysis – Don’t Be Seen With Me Play –Deeper Than Blue Moderne – Vers L’est Hudson Mohawke – All Your Love MMOSS – Wander Radiohead – Bloom (Jaime XX rework) T.I ft. Beanie Seigel. – 2 Glock 9’s/ Can- Oh Yeah (Evaredy and ayo patrick remix) Danny Brown – Pac Blood Faust – Lauft.Heisst Das Es Lauft Oder Es Kommt Bald.Lauft Smif’ N’ Wessun – Hellucination Freestyle Fellowship – For No reason Burial – NYC A$AP Rocky – Purple Swag
So for my devoted readers I decided I need to change it up, and get back to my roots writing about music. It’s something I love, and I get to know the artists on a different level. The first artist I decided to write about was Amadeezy- a Boston fixture on the dj scene, and influential producer on the international level. A dude doing it big like foreheads at a bald men’s convention.
Amadeezy is known as the Bass Boss- a moniker that comes from his breakout track last year released on the German record label FTP. The track was a throwback to the miami bass music that he listened to in the 90’s and the whole record is an homage to that style- a style that is like covid cocaine- dirty, raw, and something you can’t stop desiring.
Through email I went back and forth asking Amadeezy some wide ranging questions of how he developed his style, and how this gorgeous vulgar bass music was developed. First up was everyone’s favorite token question where his inspiration came from?
“I have a huge range and pretty much draw most of my inspiration from rap music and old school urban dance music as far as production goes. My style comes more from my appreciation of underground music and my punk rock ethos of DIY and using simple music structure effectively. Some DJ’s that really influenced my sound would be a huge list but in a nutshell DJ D-Bert cause I started out my DJ career doing DJ battles in the 90’s, DJ Paul from three six mafia, DJ Screw, Uncle Luke, DJ Deeon, DJ Magic Mike, Premier, DJ Godfather, Rashad, and more recently my homey Textasy that runs the label FTP outta Berlin.”
Next I am curious how Boston has helped, and, or, hindered you as far as your career?
“Boston was a great place in the 90’s for underground culture. From punk to hip hop / rap and some of the house music and underground rave parties that occurred I drew a lot of my personal style and kind of mixed it all together to get the Bass Boss sound. As far as hindering me it’s become a really commercial city as far as music goes with gentrification being common in most major cities it’s just become a place with very little appreciation for music outside the scope of the mainstream.”
What got you into djing? Producing? Bass music?
Well the movie juice was what originally got me interested in turntablism and from there I eventually got into making music about ten years ago when production equipment became more software based cause it was affordable. I started making music similar to what I do now in the very early days of producing but there wasn’t as much of a market for underground urban club music at that time. It wasn’t until about a year or two ago that I realized that there was a bigger audience for the stuff I’ve always loved like miami bass, ghetto house, juke, baltimore club, electro, breaks, etc.
How did your teenage years influence your overall direction and sound?
Well I grew up in Mattapan and kind of shuffled around the south shore in Quincy and Brockton later in my life. Think hip hop culture, graffiti, raves, and punk rock other than making me a juvenile delinquent just gave me an appreciation of street culture. I’m very much a city kid and having grown up in the hood I was always interested in discovering music and underground culture that was being made by people with a similar upbringing to mine.
So, with a future that looks brighter than a psychedelic care bear covered in diamonds, what’s next for you?
“My biggest goal is to go and perform overseas. I was slated for my first European tour which would’ve started in June in London, but due to covid 19 everything obviously was cancelled. Right now I’m working on a ton of stuff and am dropping a west coast style electro EP thats an hommage to 90’s g funk mixed with west coast style electro in the style of producers like Arabian Prince, Egyptian Lover, etc. This EP is slated for later this year and is dropping on International Chrome which is Jensen Interceptor and Assembler Code’s imprint. Hoping to also record a full length album that showcases all my musical influences in a cohesive way that best represents all the random ass knowledge I’ve acquired on this journey.”
As far as Contemporaries- who are you listening to now, and who are those pushing you to become even better?
“Partiboi69, Textasy, Big Dope P, Jensen Interceptor, Turk Turkelton, Raw Takes, Cyan 85, DJ Swagger, LUZIE, Sansibar, and so many. Mostly the pioneers too. I’m a big fan of the old school as far as dance music and the pioneers. I’d like to be remembered not as a pioneer by my peers but definitely am hoping to reach that legendary status of American ghetto style production.”
Big thanks to Amadeezy for the interview! Make sure to buy his music including his latest single Jackeveli, and the b side remix that’s more wavy than a sumo wrestler’s belly with a remix of his club killer track Deadly Disco Poison by Feadz! https://amadeezy.bandcamp.com/music
The last couple posts I been talking about failure a lot, and one thing I am glad I failed at was committing suicide. I am not going to lie, I kinda half assed it. I didn’t follow any of the the Gravediggaz advice from “1-800-Suicide.”
I didn’t run to the zoo and lock myself in a lion’s den, didn’t confront an alligator and let it eat me raw, or even just hang myself with a fucking barbed wire. Nor did I even follow the plan I had thought of before. To be honest it just kinda happened- it was very passive. I just got to the point where I didn’t want to feel, and didn’t care if that meant not waking up the next day. It started with mixing Ativan and a pint of vodka. That combo proved too weak- it just left me feeling sober. My existence was still on fire- my skin a vampire in the sun. So I added a big bottle of wine to the mix. And still nothing. My brain was still firing missiles in all directions; a kamikaze bombing of my consciousness creating a maze out of doubt, fear, and self-hatred. I was blinded, lost, and just wanted out so next I found an almost full bottle of gabapentin and those easily found their way down my neck into my belly. And finally a handful of sleeping pills to blot out the rest of my existence. Then I found the peace of my bed. I laid down and enjoyed the high I was finally feeling. I had no fear left. I was weirdly at peace that maybe the next morning I wouldn’t wake up; a feeling I wish to never have ever again. The morning did come and I was grateful as hell to see that sun. You see I don’t want to die, and I sure as hell don’t want to live in a world of numbness. My brain loves to trick me into that existence, but today I fight it with the guerrilla warfare that is mindfulness. It is with ruthless aggression I fight for my existence. I am dropping nuclear bombs on the tricks my mind uses to play on me, and embracing the love that surrounds me. Today I want to fucking live, and that feels pretty damn good.
My brain is still a bit foggy like the grave mist of dawn in a land of ghouls. But writing keeps me sober so I type these SOSs to the world. Failure keeps you hungry and hopeful. And I have failed enough to remain hopeful as fuck. I am grateful for failure. It’s how I learn. It’s why I have this chip on my shoulder because I don’t think anybody truly believes I will stay sober- that July 15th will just be another day- just another broken resolution. That my resolve will falter, and my belly will once again surrender to the swill of liquor cascading into its center. But I have a feeling this time you will be wrong. And what’s different is hard to explain- that feeling deep inside your gut can’t always be explained. But when you feel it you know it. And today I feel it. Today I know it. And tomorrow I will keep on showing it. Because these SOSs of heartbreak might not mean that much to many, but at least they get me through the day. And each day that mist will feel further away. And each day my vision will get clearer. And each day that ghoul that clutches on my soul will get easier to push away. For embracing failure gives you a power you never knew existed inside you for it takes away the control that fear has over you. And without fear on your back you can achieve anything you want. And even if you fail at least you learned the next time what not to do. And through that failure you learn most importantly what you need to do. For heartbreak and surrender are the only true path to real love. Be that a love for oneself or another.
My dear readers you can rejoice for I have returned. I apologize for the delay but my brain’s been a bit foggy these days. The words scattered in my skull; my thoughts a jigsaw puzzle floating through outer space as I desperately fly to each piece to sort them together. The aftermath of my last post led to a stay in the hospital where I came off a cocktail of 8 meds to a new lean new two piece of a mood stabilizer with a shot of antidepressant. So far I feel decent- not too high, not too low. So of course for me that means I feel uncomfortable. It’s funny how we get so comfortable in those undesirable emotions such as turmoil, depression, fear, or pain. Those feelings are like a warm blanket to me compared to contentment, and well just the fucking normalcy of the day. I also hadn’t been able to write so I thought I would cure it with a drink. I figured the drink would spark everything back and break me out of the void I had falling into. In reality it was just my brain tricking me into a return to an old comfortable feeling- the numbness and escape that first sip brings. The fleeting myth you chase every time you succumb to your poison. So I embedded myself into the alcohol, like a journalist in a war town country to a squadron, and gave in and drank. And of course James Baldwin did not enter my soul and come out through words on my paper. In fact the only words that did were lies to myself and others. The lie that alcohol can somehow make me whole- while in reality it’s just making the hole inside me even bigger. The hole of self doubt, hatred, insecurity, and fear. The hole you fall into where lies become the safety net. The hole you know you will eventually be buried in if you keep down the path that the drink wants from you. And a hole dug so deep I didn’t want to tell anyone I had fallen into it again. So I just pretended it didn’t happen, and let the halo on top of my head fashion into a noose. That noose got so tight I needed a drink to loosen it- and since I hadn’t shared my shameful secret from the night before the alcohol slipped right in like a Viking from the shore. His battle-axe a pint of vodka to my heart. I know my defense now is just being honest. Being vulnerable letting everyone know I failed another alcohol test. I gave in like a chump. But through failure comes knowledge. A loss is the best way to learn how to win. So I woke up early determined to write words. To prove to myself I don’t need alcohol to write. To prove to myself I don’t need alcohol to live. And to prove to myself finally I don’t need alcohol to survive. So today, July 15th, I declare my goddamn independence from that demon alcohol. And already I feel that noose loosening from my neck as the sun gently rises on a new day ahead, and I embrace this new journey where getting really fucking uncomfortable is going to be me striving for my new norm.
Saturday my mind played one of the greatest tricks on me yet. It’s terrifying what lengths it will go to give me an excuse to drink. I was doing my morning meditation which was a focused hypnosis on clearing subconscious negativity. However, I allowed it to imprint a false so-called repressed memory to throw off my whole balance and well-being. As soon as I latched onto this awful thought it became for that moment real, and the only way to get rid of it was to drink it away. My brain was a terrorist who hijacked my common sense, and knocked down my defense system as easily as if it was a tall tower in the N.Y. skyline.
What followed was a drunken stupor of a maze of falsehoods that I tangled myself up in as if it was a comforting cloak of barbwire. Fallacy turning into fact. Hope trampled beneath granite boulders busting my spine. Leaving me paralyzed in thought with hopes there was a dagger resting on my heart. Or an ice pick to silence my brain. Luckily neither was close by.
I wonder how long I am going to stay on this path of reacting and writing versus writing then reacting. There is a big difference between knowing and understanding. Knowing means you can decipher the proper course of action for prevention. Understanding means that a course of action is in use prior to stop the maladaptive behavior before it occurs. It’s why some of the smartest people in the world can be so goddamn dumb sometimes.
This distorted logic is like seeing a chess board two steps ahead of your opponent, but moving your pieces one step behind. It’s ludicrous yet I do it; staying a pawn instead of the goddamn queen. It’s not fate because my own actions cause it to occur. My mind might be playing tricks on me, but I am supplying the ammo to make sure the shots stick. A country rube in a world full of carnies. Allowing myself to be conned every step of the way.
I have a problem with being honest. Not on this blog for it seems the one place I do get honest; but in terms of my abuse of alcohol to cover up for many things I struggle with, and the fear I foist upon myself. From last Thursday to Monday night I couldn’t even tell you how many lies I had to tell myself and others. Those lies bottled up inside me like delicate tiny ships forcing my soul to walk the plank plunging to the cold waves to drift forever away. In these times the lava of self-hatred washes over me, and I can’t remember the last time drinking even was fun. All it is a momentary reprieve into hollowness, like a diseased tree tucked away in a forest of purgatory.
The funny thing is being honest feels better than being drunk. I don’t know why I don’t chase that feeling more than the numbness that lying provides me. Mindfullness helps in honesty because if you are totally in the moment you can’t be trying to scam the future. For a lie is just a momentary reprieve against the consequences of actions that violate your code. And like the wise man Omar said before me,
Even as I write this a twinge of the thought of drinking arises. My brain distorting those memories of truth I know deep in my marrow. It’s the anxiety of living that scares me today. For an unspoken desire soon twists me into liar, and that is not world I want to inhabit again.
Monday night was brutal. I was at true lost; I finally succumbed that I had lost the ability to be truly honest with myself. I had once again invited in the poison that is the numbness of alcohol, and my brain was debating whether it was a wise choice to end it all. I woke up Tuesday angry. A righteous anger at myself for not doing enough to get myself out of this situation. Yes I suffer from severe depression, alcohol abuse, and mood swings, but I wasn’t even getting out of the corner to box it anymore. I had a game plan in place, but I was abandoning it as soon as I got hit. And when I felt good I wasn’t doing enough reps to maintain it. I was the boxer who got fat and lazy after his first championship, and didn’t train hard enough for his next defense. I don’t want momentary wins anymore- I want to put a full nelson on success. Gripping it as tight as possible as it tries to struggle out of my grasp. So to do this I have developed a stringent new routine for the summer. Simple ideas that have created success for me in the past, and a rugged routine to keep me focused and not swimming in the Dead Sea of emotions in my mind. This will be my bootcamp for the summer, and if anyone sees me slacking call me the hell out on it.
First thing I am doing is remixing the Miracle Morning(use the google machine to look it up.) Basically the premise of the book is to start each morning off with a six pack of mindful activities. So today I put this plan in action. I first woke up and immediately picked up a pen and in my journal wrote ten things I was grateful for. Gratitude lists are the foreign object I like to punch my depression in the face with. It immediately always knocks them back because it forces the power of positivity to the forefront. I feel if I start everyday with a sucker punch to negativity my brain will thank me.
Next is mediation. I used to meditate first thing in the morning in my bed, but now I lie on the floor. It changes my perspective, and signals to my brain the day is beginning. Mediation is a way to calm and workout my brain. I am trying to create new pathways to positive and productive thinking. This eventually leads to my brain’s ability to be more abstract and elastic to complex thinking of consequences and long-term rewards, rather than the monkey brain desiring immediate pleasure.
Next we get to affirmations. Those reps for achieving your goals. Self sabotage has always been an Achilles heel in my life. It stems from a combination of self loathing, fear, and loss of confidence. To counteract those bullshit voices in my head that fear success I combat them with simple phrases that push forward my goals in life, and mental health. It’s definitely corny as hell, but truly effective. Sometimes I just need to remind myself that I love myself, I will write my book, and I will fight forever.
After that we get good ol’ fashioned prayer. Now prayer to me has nothing to do with organized religion, but rather setting out intentions into the big blue sky above me asking for help, and promising to take that aid and use it to assist others in need. By praying it makes these desires and intentions real to my world. For this I humble myself on my knees each day, and ask simply to become a better human being.
Now we get active with some exercise. That way we get the dopamine up and running before we start our day. That little boost is the coffee my body needs. Today I did some push-ups, and tomorrow will be a quick ten minute yoga session with my home girl Adrienne. I like doing ten minutes because it gets a little kick of adrenaline in, and it’s just a warm up for the exercise I will be doing later today.
And finally I make the bed, and read. Making the bed is always important because it gives you a sense of accomplishment that is simple and easy to do. It corrects one potential messy thing in order to kickstart your day to accomplish overcoming the obstacles that will face you in your day ahead. Reading comes at the end as a quick way to wind down and get focused for the day. I like reading at the end as a way to bookend my last activity of the night of reading before I zoom to the slumber of the stars.
Boom the first hour of my day is complete, and I already feel energized and ready to go. A half hour later from 9-12 I am in IOP connecting, sharing, and empathizing with others; all why reviewing and building up my skills of combat against negative and destructive thinking. Then I take an hour to decompress and eat lunch.
From there I will dedicate 1-3 daily to write whether I want to or not. This post itself is being written during that time. I been searching for what the fuck purpose do I have right now, and decided that all signs lead to writing a book so I am going to put the bullshit aside and go with it. I think the fear has always been in the way, and feeling pretentious for saying that’s what I am working on, or is my goal in life. But fuck that I am a damn good writer with a story to tell, and I might as well go all in while I have the time. And this ain’t going to be no self-published vanity book either because I am shooting for whatever fictional planet Space Jam was on.
From 4-6 will be my exercise time- get my Keith Sweat on. That way I can be as much as hunk as he was to the ladies.
Exercise also comes with my lifestyle of good food choices cause you are going to need both for success. Around 7 or 8 I will have my accountability call with a friend. It’s a way for myself to stay accountable, honest, connect with a human, and learn to reach out early before it’s too late. And finally before slumber I get to educate my eye lids with some words in a book.
So my loyal readers if you are wondering what I am doing all day now you know. A bootcamp for my non-disciplined, lazy ass to finally get back into fighting shape. After awhile you just get sick of being knocked down all the time, and you realize instead of complaining or drowning in excuses you just need to punch that motherfucker right back in the mouth knowing both sides are going to bleed, but that you damn sure know you ain’t going to end up on your back anymore.
Today I am going to let go of the self-hatred that consumes and binds to my existence. Instead of focusing on the atrocious abyss albatross hanging from my soul; a necklace designed as ghouls forever on a cursed pirate ship that will never find gold. I will search rather for the beauty deep within the hallows of my bones. Celebrate my successes and not my woes. Applaud my empathy not the sorrow I once behold. Clutching as tightly to the joy as I once did the darkness that wanted my extinguished existence. Turn my thinking into an oasis where fear becomes my tool for a challenge. Embracing failure as the fuel for my ability for perseverance . While enduring the pain for that is the only way to grow. Knowing in the end self-hatred is just a signal for much needed change in this man’s existence.
Chapter 6 – What’s An Adjective- an excerpt from my novel from 2008 discussing race, white privilege, and being a white lover of rap music since birth. A man who grew up surrounded by whiteness, trying to write about race. I just tried to be honest- please let me know where I failed.
Like Eggers’ before me I can guarantee to you that when I see a young black man holding a baby I will smile. I tell you this for a few reasons. First so you like me. I really need you to like me so I can be completely honest with you readers. I mean, sure, I am full of anger and prone to drunken bouts of pure asshole, but for the most part I am a good guy. In fact I am pretty color-blind as well. Well, not the bullshit liberal sense of not being able to see color, which in itself is racist as fuck and puts a blind eye to the challenges people of color endure, but in the sense of not basing judgements based off of it.
But I am not going to lie because I make judgments of people every day based on their appearance. It’s why we use adjectives. Us writers love them because they not only put things into cute categories; but they are also a good for use with people. That’s why when I was asked by a black man named D, “What’s an adjective?” It struck me as this could be the beginning of a story. Actually I did not think that at all but we can pretend that right? So let us start over with a story about an adjective. And you are probably wondering the time frame of this is and well we are in spring 2007 now.
This adjective question would be asked by D, a musician from the Marcy Ave Projects, whom I had just met outside a bodega where I had purchased a 40-ounce beer for seven dollars. I would have haggled over the price, but the place had the feel of a storefront where they move drugs, and well, I didn’t need an ass whooping over a couple bucks and I was thirsty after all. (Side note look at my subtle racism believing a bodega was a drug front.) I was at this bodega because my girlfriend Tiffany and I had got off on the wrong subway stop in our search to see the Bonde Do Role show in Brooklyn. Outside of the store we asked a black dude if he knew where Studio B was and he tried to direct us into the Marcy Ave. Projects a couple blocks down. D, who overheard this, jumped in the conversation.
“Yo, you’re saying there is a new club in the projects? I have to see this.”
Now I was talking to, and smiling at two black men, neither of which held babies. D was holding a Styrofoam cup with beer in it, and when he noticed my own brown paper bag gave me a pound.
“Ha-ha, my man knows the deal, brown paper bag and everything.”
After some discussion we figured out the club was not in the projects, but rather toward Williamsburg, and the hipster section of the borough.
D, with no other plans for the night, decided to tag along with us and thus became our tour guide. As we walked the city the landscape transformed. The cleanest projects in the land according to D vanished, “I mean we don’t have any shit or piss in the hallways, or anything like that,” The bodegas had instead been replaced by a Parisian style cafe filled with white faces enjoying wine and large meals.
“So where you two from?” D asked.
”Right outside Boston in Manchester, NH. Tiff is from New Jersey, but we both live in Boston now.”
”Manchester? I have a bunch of boys who moved out there and love it. They were saying it’s cheap as hell, and you don’t have to worry all the time. Around here you want to act tough, you have to be on guard, because people will test you on that and if you’re fronting they will fuck you up. But I am done with all that bullshit. I used to slang, and what not, but now I just concentrate on music. I am bringing rock straight out the projects with my band.”
”You’re in a band?”
”Yeah, I play guitar, rap, and sing. I mean, I never been trained to play the guitar or anything like that, but I picked it up on my own from listening to the radio. The only problem is my band never wants to practice and really get down to work. They just want to get high and jam out, and never want to put in work on songs with hooks and shit like that. I mean no rock band has really came from the projects, and that’s a gimmick we can use to get noticed.”
So, here I am walking the streets of Brooklyn with my girlfriend and a black dude from the projects. I am drinking a 40, and D has some sort of drank in his cup, and we are talking about rock music on the way to a show from a group from Brazil that does their take on booty music.
Only in America.
Now here is the important adjective question that D will ask.
“Yo, do either of you know what exactly is an adjective? Is it like an adverb or something?”
”Nah, man it’s just a word used to describe something else. Like that car over there is red. Red is the adjective because it describes what the car looks like,” I said.
”All right, I get it, but yo, that’s kind of messed up. Why don’t they just call it what it is, like a describing word, or some shit then, instead of confusing people and calling it something weird like an adjective?”
I never thought of like that, but D had because he knew he had to look at all the angles if he wanted to get out of his situation he was in. He knew that he needed to use whatever advantages he had going for him. If this advantage was the stereotype that black guys from the projects were not supposed to make rock music then why the hell shouldn’t he use that novelty to get him in the door? He made this even clearer when I told him I booked bands back home.
”You should have me come play a show, and you can promote the fact I am a black guy from projects playing guitar in New Hampshire. Hell I don’t care how you want to use me just as long as I can get some money out of it. We both can get paid, you feel me?” D said and then laughed and gave me a pound.
”You know I am right because ain’t nobody doing what I am doing yet.”
As we passed the cafe we came up to an art show flushed with skinny faces wearing angular haircuts, skintight t-shirts, and jeans that seemed to be painted on. Each outfit was put together with meticulous care to ensure the image portrayed would actually show how little they cared about how they were dressed. It was absurd, and they used this seeming aloof nature in order to hide their own vanity. Because the only thing worse than not being hip was to admit that you actually cared about being hip.
Of course I was also dressed hip; but I was hip just cause I was a naturally fly motherfucker, and I knew by rocking a Big L t-shirt, a dead rapper who is adored and loved in some circles more than 2Pac himself, yet unknown by many of the kids in skinny jeans, would prove just how much hipper I was than everyone else. But it’s not like I cared about anything like that, or would even think about what my t-shirt would represent to others. Hell, let’s just say it was the only clean one I had, so I can continue this story with disdain for those who care how they look but pretend they don’t.
”How the hell do you white people wear jeans so tight? You’re nuts must not have any room to breathe.”
”I don’t get it either. White folks are strange,” I said.
It was funny as I interacted with D we were able to bond over the fact that we didn’t pretend the notion of race didn’t exist, and instead embraced and made fun of it. I was a white boy from New Hampshire, and he was black kid from the projects, and we understood it was a strange relationship but also one that we could use to our advantage. It was like the Dave Chappelle routine where he tells the audience, “Every group of black dudes should least one white guy in it for safety. I am serious, because when the cops come around, someone has to talk to the police, and that’s when that white friend Ernie comes in handy.”
From the art crowd we were able to find a threesome of hipsters who knew where Studio B was, and even happened to be headed in that direction. We followed them as my girlfriend chatted up front with the two girls, while I lurked in the back with D and cracked jokes about how the one guy with them was probably nervous that we were going to try to jump him, and steal the bicycle he walked with.
They led us to the club and we stood in line and waited to get in as D told us his theory on why rock music wasn’t as good as it used to be.
”Man, nobody writes with metaphors and shit any more. I want to be able to think about a song and what the singer is trying to say. All these new bands just come out and say it. I get it you are angry, but find some other way to say that shit other than ‘I am so angry. That’s why I love Nirvana and Kurt Cobain. Think about it-when he was talking about Polly wanting a cracker you had to think about it? And you knew he sure as hell wasn’t talking about a pet parrot of his.”
”He wasn’t?” I said with a grin.
”Ahh, fuck you, man, but you get what I am saying though. That’s why I don’t listen to any of that new shit.”
”What do you listen to then?”
”Shit from the same time as Nirvana, you know, like Stone Temple Pilots, Green Day, and Tool. The good shit.”
I cringed at the last three bands he mentioned. First because I am an asshole when it comes to music, and those bands to me represent all the shitty people from my hometown that hated rap, and still listened to hair bands without shame. Well, not Nirvana, I liked Nirvana, but those other bands sucked. But then I realized he had probably never been exposed to any rock other than what was played on the radio (and of course I assumed this because it was an easy assumption, because black people from the projects could not ever want to listen to rock, and yes, I am that dumb sometimes). Cobain to me was a voice for mostly bored and jaded middle-class white kids, and it was odd that he had been able to penetrate into D’s world and impact him much in the same way. And then I cringed at my own thought and realized that growing up I had rejected those bands, and instead listened to rap music which impacted and spoke to me in a way rock never could. Growing up I had always hated when people would ask me why I listened to black music; instead of white music like rock. Even worse were those who had no idea about what rap music was, and would dismiss it as not music because they didn’t play instruments, or even worse as nothing more than just “niggers talking.”
The line crawled forward and D bounced around with nervous energy.
”So who exactly is playing tonight?” D asked.
“It’s a Mad Decent show with Diplo, Bonde Do Role, and Blaqstarr. Diplo is this dope ass dj and Mad Decent is his label. Bonde Do Role is this Brazilian group that does favela funk, which in English basically means ghetto funk, or booty music. They are like 2 Live Crew and raunchy as hell and use beats that sample everything from Alice in Chains to that ‘Final Countdown’ song from the ‘80’s. And Blaqstarr is from Baltimore and does b-more club which is like a cross between house and rap music. It will be a real hype show. “
”I am guessing it will be if y’all came all the way out for it.”
”Yeah, plus my man Chris Lemon-Red works for Mad Decent, and I used to dj with him before he moved here.”
”Then why we standing here in line? Go talk to your man and get us in.”
”Nah, waiting builds character.”
”Fuck character, I just want to get in there get me a drink, and start dancing with one of these fine white girls,” D said with a laugh.
As we headed to the front, D seemed worried when he finds out there is $12 cover to get in.
“I don’t think I can afford this. My budget is kind of tight.”
”Fuck it, you helped us find the place, so I’ll take care of it as a way to say thanks.”
After I paid I couldn’t help but think of William Baldwin’s Another Country, and the relationship between the black musician Rufus, and his white friend Vivaldo. Rufus always despised it when Vivaldo would try to help him, and would interpret this as not a simple act of kindness between friends, but rather, a paternal nature that made him think Vivaldo was doing this so he could feel good about helping out the poor black man who would be so helpless without him. Which left me wondering, would I have paid for D had he been a white guy instead? And I realized then, had he been a poor white guy from the projects, I would have been less likely to trust him at all, and even less likely to pay to get him into the club.
But I soon forgot all those worries as the music rained down, and the bass cleansed me free. The dance floor was a Where’s-Waldo picture of gangly white flesh, and then in the whitewash a black face, D, fearless and with no shame, could be found walking up to any girl on the dance floor.
I saw Lemon-Red at the merchandize booth and headed over to say what’s up. He was surprised I had made it out the show, and then introduced me to Diplo.
”New Hampshire, huh,” Diplo said, “That’s the, ummm, shit. I know nothing about New Hampshire at all. “
”Don’t worry, most people don’t.”
I told Lemon Red I would catch up with him later and went back to find Tiffany and D. Tiffany asked me if that was Diplo, and I told her yeah.
”He is not as cute as he was in the pictures I saw of him, but then again he was doing Zoolander poses in those.” She then left to take more pictures of the folks at the party for a project for a class she was basing on the NYC club scene. Most of the people she took pictures of had no problem mugging for the camera with their practiced look of disinterest.
Over the course of the night we lost D, and the next day I would find out from a message he left on my cell phone, where he first apologized for bouncing without saying goodbye, and that he had drank too much and needed to leave before he acted a fool and got himself in trouble.
By 4 am the show was over. Tiffany and I left the club and grabbed a couple slices of pizza, and then headed for the subway. Our subway car was pretty much empty except for us, two girls coming back from the club, and a passed-out black man. As we rode through the tunnels of a sleeping city I noticed the girls were snapping pictures of the passed out man and laughing. To them this man was nothing but someone to mock so they could laugh when they showed the pictures to their friends, and put them up on their MySpace and Facebook pages. As we rode they grew bolder and posed with him, mean-mugging and crossing their arms, as if in modern black face; Amos and Andy would have been proud.
And then I went home and instead of using pictures of me smiling with the black man, I wrote a story where the whole world could see just how much more enlightened I am by my thoughts of race, and how I would never exploit it for someone else’s entertainment, and that I was so much better than those girls at the end who took pictures with the sleeping man. But you, reader, you know better than that. And you are probably thinking of a few adjectives you can call me, and I would agree.
But I think D was right in the end-let’s stop hiding behind vague descriptions, and just say it how it is from now on. But then again wouldn’t that mean Polly really just wanted a cracker? I am all confused now. How about you just take whatever you want out of this story, and hopefully you were entertained, because this was just an interlude in tragedy, a chance to make you laugh for a moment, and hopefully help you understand the narrator outside the context of dealing with tragedy.
I am a human you know, which I think is an adjective for person. Plus, as a young kid, I grew up wishing D’s life was mine, while never realizing he probably grew up wishing he had my life. And in the end, regardless of the bullshit, I can’t blame him. But I do thank him for making me realize the true meaning of adjectives.
Reflecting on what I wrote over 12 years ago I am not mad overall. I rejoice in the reality I was able to recognize my white privilege and not be a slave to it either. What I feel I failed on was my silence. At the end of this story I mocked and judged those white girls for their actions, and took a bullshit moral high ground. It was my unique privilege as a white male to feel superior without having to act. My silence to their acts made me complicit. I too was mocking this man by staying silent and judging those who mocked him. By letting it happen I was just like a cop who lets his partner stand on the neck of a man who can’t breathe. I know I personally need to get better. And I will continue to strive for that. In the meantime I won’t hesitate to call out bullshit behavior- it’s the subtle racism that is prevalent where I am from. When you don’t have to deal with black men in your daily life it’s funny how easily racism pervades. When you can’t be checked for saying the n word in a rap song you won’t be surprised how many white folks say it. I was taught at an early age by Wu Tang to always say nuh instead of that word. It was ideal because it always reminded me I had no reason to utter that world-it was never my right and thus nuh right in saying it. Radio edit for the win.