I Feel Like Rowdy Roddy Nada

I was lost in thought the other day- half way between meditating and thinking of new ideas- when I had this moment where I realized my life was no longer consumed by my previous PTSD/Depression. No longer did my identity revolve around the murders, or the harmful ways I attempted to address that pain. For the longest time I didn’t even realize I was living this way. PTSD and the depression that sprung forth stripped away so many things I loved. I even stopped enjoying djing for awhile. My heart wasn’t into it, and the fact that not having that love didn’t even feel off to me- looking back at those times I didn’t fathom why I no longer cared that something I loved so much I could brush aside so easily. Or why I would get soul crushing anxiety anytime I would have to play out in public. Thats the real crime of depression is it robs you from experiencing the things you love to the point you can’t even remember why they gave you joy in the first place. It was so bad that I didn’t even make a dj mix for over five years. Music become a chore- something to be endured not enjoyed. So in the past year being able to experience the joy of djing brought me all the way back to my teenage years in my basement mixing records. Having that passion rekindled in me has been beyond a blessing, and a blessing I will soon be able to share with you with a new mix in the coming weeks.

But before that glorious day my hours passed in a fog of frozen hell. I had no idea all those years later that the despair I fled in the wake of the deaths would eventually wreak so much havoc in my subconscious, and subtlety weave it’s way into my whole view of the world. It was as if I was wearing those Roddy Roddy Piper glasses in They Live- but instead of seeing aliens my eyes were clouded lenses of tragedy and fear.

Thinking back the dogma of AA prayed upon and played into those fears for many years. I was indoctrinated that I drank- not because I hadn’t properly dealt with some serious emotional pain I was suppressing- because all my pain was just resentments that the fourth step would cure with the turnarounds. For those not aware there are 12 steps in AA. The first three are basically saying you are powerless to alcohol and only god(higher power- something greater than yourself can save you from your drinking.) Alcohol is this big boogeyman in AA always in the parking lot doing push ups, and other body focused isometric exercises. Alcoholics do some terrible shit while drinking so AA professes that deep down all alcoholics are selfish and resentful at their core, and thus it’s not really your fault since you just never were were not giving a proper design for living(aka Big Book and 12 steps)before to deal with these bedevilments. So the fourth step is where you first write out all your resentments to the world- so anyone, or anything you felt has wronged you during your entire life. This is also the step where you have to to do a turnaround on said resentment- which is where you show the role you played in the resentment. For example the resentment of my brother murdering my sister, niece, and nephew was my fault because my reaction to the trauma was to drink to avoid it. Never mind the batshit logic of having to explain where your at fault for a murder is fucking nuts. Even worst AA loved when I said that. Real taking of accountability the old timers would snarl- but if you look at this beyond the surface why the fuck I am exploring such a deep and nuanced subject based on anecdotal science from a hundred years ago with a sponsor(for god bless their souls and my past ones were the best people!) whose only qualification for exploring this process with you is they themselves completed the steps. These are not licensed counselors you deal with- just normal people. So imagine the type of harm that can happen from these types of exercises even if the outright intention is not malicious. After completing the steps, sponsoring others (three of which who were in their early twenties who passed on), going to multiple meetings daily, and running a sober house I still wanted to drink. No matter how much I prayed I was still miserable. So I would drink again and then have to go back to AA and grab a newcomers white chip and start all over. And have to lie when I shared that I didn’t trust god with all my heart enough as the reason for my drinking again- not the mental anguish and toil going on from unstable brain chemistry mixed with unresolved emotional trauma. Nope just not being 100 with GOD. Or I drank because I didn’t pray hard enough, or I just didn’t want it enough- because AA is not for people who need it, it’s for people who want it. Looking back the whole process makes me want to puke.

In AA everything centers around alcohol- and the program becomes all consuming in your life where meetings serve as your new addiction. I know today I can not drink- I ruined that ability in the midst of trying to avoid my emotions. I abused this liquid escape to a point my body can no longer consume without being a total asshole that you don’t want around, who will sabotage anything good in his life. I am at peace with not drinking- plus drinking makes me fat. At my peak depression about five years ago I weighed 280 pounds-this morning I weighed in at 221(more nutrition posts to come I am into overnight oats now) But just losing the weight didn’t make me happy either. Long story short what made me happy was a long and arduous journey of self-discovery full of too many failures to count. Being able to write while feeling joy is something I feared I would never be able to experience. If I followed AA’s path I would still be stuck in that purgatory pain fog which was a living death. But as a part of my journey I am thankful for the lessons I learned along the way in AA, and the amazing people who came into my life because of it. I am not here to destroy AA- because for those it works for it is a beautiful thing. But for the others struggling today to I want them to realize there are different paths to happiness, and to keep searching to you find the right one.

Mixcloud

In going with the music theme I finally uploaded some new (old) mixes to my mixcloud site grab them here. Expect everything from classic rap, to rare pysch and kraut rock, minimal wave, and everything from weirdo electronic shit, bass music, and b-more and jersey club.

Playlists for each show below

Tuesday Mornings at 8:30 AM. Kendrick Lamar – Swimming Pools
Daedelus – The Finishing of a Thing
Usher – Climax (Diplo remix)
Gonjasufi – The Caliph’s Tea Party
Aleuda – Galope (remix)
Flosstradamus ft. Danny Brown – From the Back (Lunice remix)
Xeno & Oaklander – Blue Flower (Live at the Weird Party, Home Sweet Home)
Futuristik – Army Now
Martial Canteral – Occupy These Terms
Destiny’s Child – Say My Name (Cyril Hahn Remix)
Oppenheimer Analysis – The Devil’s Dancers
Murray – Pantum Lama
Teengirl Fantasy – Vector Spray
Win Win – Salt Days
Amon Tobin – Dream Sequence
Future ft. Juicy J – I’m Trippin
4lienetic – You Never Loved Me
Notorius BIG – Suicidal Thoughts
Aphex Twin – Nannou
The Diplomats – Real Niggas
?
Goldie – Inner City Life
Cousin Cole – Amen Amen
Ivo’s Group – That Shocking Day
The Prodigy – Ruff in the Jungle Uplifting Vibes Remix)

That’s Respect
Polygon Window – Quino-Phec
Ice Cube – Doing Dumb Shit
Metamatics – Blue Water
?
Nancy and Paddy – Owl Ritual
Escort – Cocaine Blues (Greg Wilson Remix)
?
Jungle Brothers – Tribe Vibes
Kendrick Lamar – Cartoon and Cereal
WIN WIN – Landloper
Das Racist – Girl
Jack Beats – Epidemic
Hannulerauri – Zombie Tropicana
SS-Say – Care
Can – Fly By Night
Kaine – Love Saves the Day (Soul Clap Remix)
UFO – Freeze (Labradford Remix)
Martyn – Seventy Four
Polygin Window – It Really Is Me

That Walter White. Aphex Twin- Polynominal-C
Jim Jones – 60 Racks
Boards of Canada – Basefree
EDUBB- Topsdropbladeschoppnmuizk
Cam’ron ft. T.I. – In The Jungle
Young Jeezy ft. Future – Way Too Gone
Flosstradamus – Total Recall
Kingdom – Hood By Air Theme
Polygon Window – Supremacy Window
Odd Future – ?
A$AP Rocky – Celebration
Juicy J – Let’s Get High
Darq E Freaker – Blueberry (Sinden & 5kinandbone5 remix)
Koreless – MTI
DJ Dodger Stadium -Ds Drum Routine
Dj J Heat – Get Low Drop Low
DJ Sliink – Emergency
?
XXXY – I Know This (Can’t Be Love)
Deejay Theory – Club Tearz
?
James Nasty – Them Do It Horns
Amrand Van Helden – You Don’t Know Me
?
Switch & Erol Alkan – A Sydney Jook (Bok Bok remix)
Crookers – Bowser
Floyd Campbell – Taped
Rob Threezy – Love to the World
Silver Apples – Lady and the Clown
Boom Bip – Closed Shoulder (clouddead remix)
Broadcast – Unchanging Window/Chord Simple
MMOSS – Another Dream
Smif’ n’ Wessun – Hellucination

Half Measures Half Measures Intro
Boom Bip – Closed Shoulder (Clouddead remix)
The Velvet Underground – The Black Angel’s Death Song
Boards of Canada – Amo Bishop Roden
Slowdive – Souvlaki Space Station
Spacemen 3 – The Sound of Confusion
Gil Scott-Heron – I’m New Here
HTRK – Sweetheart (A.K.A. I love you)
Koreless – 4D
SBTRKT – Something Goes Right
Oppenhiemier Analysis – Don’t Be Seen With Me
Play –Deeper Than Blue
Moderne – Vers L’est
Hudson Mohawke – All Your Love
MMOSS – Wander
Radiohead – Bloom (Jaime XX rework)
T.I ft. Beanie Seigel. – 2 Glock 9’s/ Can- Oh Yeah (Evaredy and ayo patrick remix)
Danny Brown – Pac Blood
Faust – Lauft.Heisst Das Es Lauft Oder Es Kommt Bald.Lauft
Smif’ N’ Wessun – Hellucination
Freestyle Fellowship – For No reason
Burial – NYC
A$AP Rocky – Purple Swag

Bass Boss

So for my devoted readers I decided I need to change it up, and get back to my roots writing about music. It’s something I love, and I get to know the artists on a different level. The first artist I decided to write about was Amadeezy- a Boston fixture on the dj scene, and influential producer on the international level. A dude doing it big like foreheads at a bald men’s convention.

Amadeezy is known as the Bass Boss- a moniker that comes from his breakout track last year released on the German record label FTP. The track was a throwback to the miami bass music that he listened to in the 90’s and the whole record is an homage to that style- a style that is like covid cocaine- dirty, raw, and something you can’t stop desiring.

Through email I went back and forth asking Amadeezy some wide ranging questions of how he developed his style, and how this gorgeous vulgar bass music was developed. First up was everyone’s favorite token question where his inspiration came from? 

“I have a huge range and pretty much draw most of my inspiration from rap music and old school urban dance music as far as production goes. My style comes more from my appreciation of underground music and my punk rock ethos of DIY and using simple music structure effectively. Some DJ’s that really influenced my sound would be a huge list but in a nutshell DJ D-Bert cause I started out my DJ career doing DJ battles in the 90’s, DJ Paul from three six mafia, DJ Screw,  Uncle Luke, DJ Deeon, DJ Magic Mike, Premier, DJ Godfather, Rashad, and more recently my homey Textasy that runs the label FTP outta Berlin.” 

Next I am curious how Boston has helped, and, or, hindered you as far as your career?

“Boston was a great place in the 90’s for underground culture. From punk to hip hop / rap and some of the house music and underground rave parties that occurred I drew a lot of my personal style and kind of mixed it all together to get the Bass Boss sound. As far as hindering me it’s become a really commercial city as far as music goes with gentrification being common in most major cities it’s just become a place with very little appreciation for music outside the scope of the mainstream.”  

What got you into djing? Producing? Bass music? 

Well the movie juice was what originally got me interested in turntablism and from there I eventually got into making music about ten years ago when production equipment became more software based cause it was affordable. I started making music similar to what I do now in the very early days of producing but there wasn’t as much of a market for underground urban club music at that time. It wasn’t until about a year or two ago that I realized that there was a bigger audience for the stuff I’ve always loved like miami bass, ghetto house, juke, baltimore club, electro, breaks, etc.

How did your teenage years influence your overall direction and sound?

Well I grew up in Mattapan and kind of shuffled around the south shore in Quincy and Brockton later in my life. Think hip hop culture, graffiti, raves, and punk rock other than making me a juvenile delinquent just gave me an appreciation of street culture. I’m very much a city kid and having grown up in the hood I was always interested in discovering music and underground culture that was being made by people with a similar upbringing to mine. 

So, with a future that looks brighter than a psychedelic care bear covered in diamonds, what’s next for you?

“My biggest goal is to go and perform overseas. I was slated for my first European tour which would’ve started in June in London, but due to covid 19 everything obviously was cancelled. Right now I’m working on a ton of stuff and am dropping a west coast style electro EP thats an hommage to 90’s g funk mixed with west coast style electro in the style of producers like Arabian Prince, Egyptian Lover, etc. This EP is slated for later this year and is dropping on International Chrome which is Jensen Interceptor and Assembler Code’s imprint. Hoping to also record a full length album that showcases all my musical influences in a cohesive way that best represents all the random ass knowledge I’ve acquired on this journey.”

As far as Contemporaries- who are you listening to now, and who are those pushing you to become even better?

“Partiboi69, Textasy, Big Dope P, Jensen Interceptor, Turk Turkelton, Raw Takes, Cyan 85, DJ Swagger, LUZIE, Sansibar, and so many. Mostly the pioneers too. I’m a big fan of the old school as far as dance music and the pioneers. I’d like to be remembered not as a pioneer by my peers but definitely am hoping to reach that legendary status of American ghetto style production.”

Big thanks to Amadeezy for the interview! Make sure to buy his music including his latest single Jackeveli, and the b side remix that’s more wavy than a sumo wrestler’s belly with a remix of his club killer track Deadly Disco Poison by Feadz! https://amadeezy.bandcamp.com/music

And you can follow him on Instagram.